It is with a not so heavy heart that I announce that The Funhouse is closing it's doors for good. For 3 years now this has been my little haven of horror; a place for me to come and share my rambling about the strange and wonderful movies I've loved and loathed. In that time I've met some great people, been interviewed over at the Mecca or horror blogs, Maynard's Horror Movie Diary and been a part of some fantastic discussions with fellow movie fans. This blog has introduced me to some amazing people while allowing me to share my passion for macabre films. However, after a year hiatus, I returned to pick up where I left off and it just hasn't been the same. By no means has my passion for blogging stopped, actually it's quite the contrary. I still plan on posting crap, nonsensical drivel about weird movies, but my new objective is to do it better and more consistently. So, a fresh start is required...
From the ashes of The Funhouse comes Attack of the Couch Potato. My new blog will feature much of the same as this one, but I want to improve, expand and reorganize. I plan on taking it to the social networking spheres too. I'll mostly be reviewing movies, but the ambition is bigger than that. The expansion will include interviews with some film makers, bloggers and any other person willing to spare time to speak to me, as well as some rants and posts that are a little more themed and fun. My pal over at For It Is Man's Number has inspired me to do ridiculous things like watch every Kurt Russell movie on the planet (a feat only accomplished by him), so expect similar movie missions. In addition, I want to branch out and cover a wider array of movies. They'll all fall under the umbrella of cool genre cinema still, but I want to cover a wider variety of my tastes.
Anyway, thanks to all who read this and stuck by my blog. It's been a blast. I'll hopefully see you on the other side.
Thursday, 11 December 2014
It really is a strange little flick, made all the more odd by the performances of Randy Quaid and Mary Beth Hurt as Michael's parents. Randy Quaid plays an attentive patriarch constantly giving his son advice, with something sinister lurking underneath his breadwinner façade. Mary Beth Hurt on the other hand is the perfect Stepford Wife, and just like a Stepford Wife she's very devoid of any real humanity. The movie was marketed as a horror comedy, but there aren't really any laugh out loud moments besides the darkly humorous psychological torment of a child living in fear of his cannibal parents. It's funny on an offbeat level and doesn't seem to take itself too seriously, but rest assured it is very much a horror film. I laughed lots, but many others do find it disturbing. It's an odd, disturbing, Suburban nightmare about the psychological torment of a young boy. It plays on the worst childhood feat that your caregivers are dangerous and sprinkles it with slightly odd, quirky, black humor. All in all, as tasty a feature as the human flesh being cooked up on screen. Yummy.
Wednesday, 10 December 2014
Really makes you think hose pesky Nazi's were really up to...
I loved this, as you can probably tell, but what made it so special is that it's still very much a James Gunn movie. His strange sense of humor hasn't been compromised at all. It might not be dark and twisted like Super or a disgusting body horror like Slither, but his stamp is visible in every scene. There's cameos by Greg Henry, Nathan Fillion, Rob Zombie and Lloyd Kauffman once again and there's a substantial supporting role for the great Michael Rooker. It should give my fellow geeks a huge thrill to see these actors strut their stuff in the biggest movie of the year. Personally I loved seeing Gunn's band of misfits light up the blockbuster of the summer. Other than Bradley Cooper and Vin Diesel, the cast doesn't have big box office names at all, and Vin Diesel's character Groot repeats the same 3 words the entire movie. Chris Pratt, mostly known for his work on the excellent Parks & Recreation, did not go into this as a star name, but he's came out of it primed for the big time. Benecio Del Toro has a small role as The Collector which made me happy as I feel he's one of the best actors on the planet who is criminally forgotten by the mainstream. Gunn has embraced his roots as a B movie genre film maker by casting his type of actors, and the results have been incredible, especially the hilarious star making performance of Dave Batista. As a wrestling fan I can assure you he wasn't that good at anything in WWE, but James Gunn has managed to bring out one of the funniest performances in recent memory from the big brute.
As entertaining as huge blockbusters can be, most of them lack heart. Guardians of the Galaxy has heart in abundance. The band of misfits we follow throughout their journey are characters we fall in love with and care about greatly. It's a team of heroes with their own unique identities, untraditional and a little odd. The Avengers they are not, and that's what makes them so endearing. Throughout the movie we witness these petty criminal outsiders come together to form a heart warming friendship as they save the universe from the evil Ronan The Accusor, played by the amazing Lee Pace, whose facial expressions alone are worth the price of the DVD, or effort to illegally stream. There's a lot of humor in this movie and it wears it on its sleeve, but there's also a few emotional moments that bring on the weepies. The opening scene is actually quite heartbreaking. It's nice to see an action packed sci-fi adventure in 2014 with well established characters, laughs aplenty humor and emotional depth. I can't recommend this enough. Pick it up now and share it with your current or future children. This is one for the ages.
Tuesday, 9 December 2014
Blue Ruin is the second full-length independent between director Jeremy Saulnier and actor Macon Blair. Their previous movie Murder Party (2007) is forgotten, but nonetheless hilarious splatter comedy, which won some awards at horror film festivals. If you like a bloody good laugh then Murder Party is one that I'd recommend. It doesn't take itself seriously at all, but it does show that Saulnier is a diverse talent. Murder Party is intentionally silly, but genuinely funny. Blue Ruin, not without its dark humor, is a more serious affair, and a different beast entirely. Comparisons to the Coen brothers are rife, but warranted, and that should not take anything away from Saulnier's modern masterpiece. It's an American gothic noir with impressive visuals, oddball characters, deadpan humor and mid-western setting, so naturally Blood Simple, Fargo and No Country For Old Men will spring to mind. It wouldn't be out of place in a Coen Brothers filmography, but that's not to say it isn't 100% Saulnier's vision and his own unique stamp on cinema, because it very much is. However, the Coens' have such a rich tapestry for characters and Dwight would fit in nicely with their family.
Blue Ruin immediately draws the viewer in with Dwight, our hero as such, looking shaggy, stealing bath water and living out of his car. Nothing is known about him, but it's apparent that he has a story to tell and the viewer is sucked in. It doesn't take long for the blood shed to begin thereafter. Unlike many other revenge thrillers, this isn't an action packed kill frenzy. Action takes a back seat to slow moving character portrayal and the unravelling of a story about a scared man, out of his depth, trying to right the wrongs done to his family. He is by no means the bad ass action hero we're accustomed to, and that's what makes this film so incredible. He's just an awkward, everyday guy who has no clue what he's doing. This gives the movie a sense of realism missing in most revenge flicks and most regular guys watching this will probably think they'd go about a situation like this of their own the same way. In summary, Dwight is no Machete. He's not even Kevin Bacon in Death Sentence. He may be the most unlikeliest assassin in cinema history since Dustin Hoffman in Straw Dogs.
In addition to the performance of Macon Blair, which is nothing short of exceptional, and the engaging story, the visuals on display make this movie impressive. Set against a West Virginia backdrop, this adds to Dwight's isolation and overall tension throughout, which at times is so strong that it becomes almost a horror movie. There's one scene in particular in the first half where Dwight is alone in his sisters house awaiting assailants to come for him. It's very chilling and uncomfortable viewing. There's a couple of scenes like that which I found very effective. The violence is strong when it happens. The film does not shy away from the bloodshed when it deems it necessary and fellow gore hounds will get a kick from the kills. It really is such a complete piece.
Overall, I consider this a must see for any fans of thrillers. It has everything a thriller should have. 2014 has been a great year for throwbacks to the Coen classics and Blue Ruin would make an excellent double feature with No Country, Fargo and Blood Simple, as well as Jim Mickle's Cold In July, which is another impressive homage to the thrillers of the 80's and one I plan on reviewing at a later date. Blue Ruin is deserving of the plaudits being sent its way and I really urge you all to pick it up.